I really wanted to like Megalopolis, but it left me feeling confused.

Frances Ha follows a wonderfully whimsical character who goes through seasons of life that are relatable to many of us.

Gladiator is incredibly iconic, but I wanted more from this acclaimed story.

Beetlejuice Beetlejuice is okay. It doesn’t reach the heights of the first film, but it’s not a complete bomb either. It’s somewhere in the middle.

The campiness of Beetlejuice is part of its enduring charm. In an odd way, the rough edges of this film help make it timeless.

The Princess Bride is a magical film, and I’m so glad that it’s remained part of pop culture for so many years. We need more silly, light-hearted fun in our lives.

Deadpool 2 is filled with humorous moments, violent action, and even some character growth, which is always lovely to see.

It’s always fun to drop into the crazy world of Wade Wilson for a little while and then return to the safety of your own home again once you’re done.

Inside Out is an impressive accomplishment filled with laughs and heart. It tackles big topics in a way that’s easy to understand for kids while being meaty enough to be entertaining for adults.

Monkey Man isn’t the Indian John Wick; it’s so much more!

Leave the World Behind has a lot of good elements, but I’m not sure it’s a home run.

Killers of the Flower Moon uplifts a story that has been largely forgotten, and I hope that more filmmakers are able to do the same.

Past Lives is a contemplation of the human experience. It’s a reflection on the choices we make and where they take us.

The team behind The Meg really should’ve stopped with one. Why don’t people ever quit while they’re ahead?

The Meg isn’t the greatest monster movie of all time, but it’s highly effective.

Barbie has ignited such a firestorm of energy, excitement, and acceptance that has made it the movie event of this generation.