Sinners is the type of movie that I’ve been waiting for this year—technically impressive, thematically rich, and a really great time in the theater.

I was captivated by Roy the entire time, and I think that’s in large part due to Nic Cage’s performance.

As the assault on indigenous languages grows stronger, films like Kneecap will become even more important.

Episodes of Deli Boys are short, a little over 20 minutes each, making this show an absolute breeze to get through. And not one minute of those short episodes is wasted.

If you haven’t yet seen In Bruges, I recommend it. It will keep you laughing and will leave you with something to think about as the credits roll.

Each episode of The Residence keeps you guessing, revealing new pieces of information that help color the investigation that makes you want to keep watching.

There are good ideas in Death of a Unicorn, but the story isn’t as impactful as it could’ve been.

Black Bag is a spy thriller, but it’s also so much more than that. It takes a formula that we know and love and does something interesting with it.

Mickey 17 is incredibly ambitious and really swings for the fences, which is exciting to see. However, it simply has too many storylines for us to go very deep in any of them.

Point Break is incredibly beloved and now I understand why. Who doesn’t want to spend more time with Bodhi and his bros?

Slow Horses has been consistently effective in creating some of the most thrilling storylines, and it shows no signs of slowing down.

Incarcerated people have dignity and worth, just like those of us on the outside, and Sing Sing is an important reminder of that fact.

Bad Sisters is a story of family members seeking to protect one another, filled to the brim with dark Irish humor and powerful themes.

The stand out of Heretic is Hugh Grant as Mr. Reed. This film doesn’t work without him.